ARRI Amira Cameras - Puhlmann Cine (2022)


AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.


K0.0001090 Basic Set includes:

K2.75004.0 1x AMIRA Viewfinder MVF-1

K1.71700.0 1x AMIRA camera body, camera handle, viewfinder mount, viewfinder cables, USB stick

Features include: HD 1080i and 1080p; 0.75-100 fps; ProRes 422 and 422 (LT) recording in Rec 709; three looks; adjustable in-camera image parameters for knee, gamma and saturation; peaking for focus control; zebra and false color for exposure control.

Euro 36.000,00 (zzgl. MwSt./ex VAT)


K0.0001091 Advanced Set includes:

K2.75004.0 1x AMIRA Viewfinder MVF-1

K1.71700.0 1x AMIRA camera body, camera handle, viewfinder mount, viewfinder cables, USB stick

Features additional to the BasicAMIRA set: 100-200 fps; ProRes 422 (HQ) recording; Log C; unlimited look functions; import looks; ASC CDL in-camera grading; dynamic auto-tracking white balance; WiFi remote control; Bluetooth audio monitoring; pre-record function.

Euro 40.270,00 (zzgl. MwSt./ex VAT)


K0.0014798 Premium Set includes:

K1.71700.0 1x AMIRA camera body, camera handle, viewfinder mount, viewfinder cables, USB stick

K2.75004.0 1x AMIRA Viewfinder MVF-1

10.0003723 1x AMIRA UHD License Key

10.0014641 1x ARRI AMIRA Look Library License 10.0001095 1x AMIRA Premium License Key

Features additional to the AMIRA Advanced: 2K (2048 x 1152) and ProRes 4444 recording; import custom 3D LUTs. Includes 4K UHD license and Look Library license.

Euro 45.670,00 (zzgl. MwSt./ex VAT)

Recommended accessories:

Lens Mounts

PL LDS Lens MountK2.0001107

AMIRA PL LDS lens mount for PL mount lenses. Includes 12pin Hirose connector for ENG style lenses.

Euro 1.650,00 (zzgl. MwSt./ex VAT)

B4 Lens MountK2.0001237

AMIRA B4 lens mount with optical, mechanical and electronic interfaces for B4 mount lenses.

Euro 4.950,00(zzgl. MwSt./ex VAT)

EF Lens MountK2.0001103

AMIRA EF lens mount with interface for iris control.

Euro 1.650,00 (zzgl. MwSt./ex VAT)

PL to B4 Lens AdapterK2.0001238

A mechanical and optical adapter that allows the use of B4 mount lenses on cameras with a PL mount. Fits ALEXA Mini and AMIRA.

Euro 3.630,00(zzgl. MwSt./ex VAT)


Angelbird CFast 2.0 Card 256GB K2.0021432

ARRI edition, professional grade Angelbird AV PRO AR CFast 2.0 card 256GB.

Euro 490,00(zzgl. MwSt./ex VAT)

Angelbird CFast 2.0 Card Reader (USB-C) K2.0024245

Supports CFast 2.0 memory cards Supports USB 3.1 transfer performance.

Euro 110,00(zzgl. MwSt./ex VAT)


Amira V-Lock Battery AdapterK2.75002.0

Attaches to the back of the AMIRA camera and accepts V-lock on-board batteries

Euro 480,00(zzgl. MwSt./ex VAT)

Gold Mount Battery Adapter K2.75001.0

Attaches to the back of the AMIRA camera and accepts Gold mount on-board batteries.

Euro 480,00(zzgl. MwSt./ex VAT)

Ambient Power slot for AMIRA (for Gold Mount AB batteries)K2.0008762

The audio slot allows a direct integration for wireless audio receivers.It includes a buffer battery for up to 30 secbuffering for changing batteries without powering down the camera.It provides a 2ch analog audio output and includes a customized cable for the AMIRA 5pin XLR input. It is compatiblewith all receivers supporting the “Unislot” interface (not available for Sony receivers)It replaces the camera battery adapter and is available as AB Gold mount or V-Lock version.

Euro 1.140,00(zzgl. MwSt./ex VAT)

Ambient Power slot for AMIRA (for V-lock batteries)K2.0008762

The audio slot allows a direct integration for wireless audio receivers. It includes a buffer battery for up to 30 secbuffering for changing batteries without powering down the camera.It provides a 2ch analog audio output and includes a customized cable for the AMIRA 5pin XLR input. It is compatiblewith all receivers supporting the “Unislot” interface (not available for Sony receivers)It replaces the camera battery adapter and is available as AB Gold mount or V-Lock version.

Euro 1.140,00(zzgl. MwSt./ex VAT)

Amira Power Cable straight (2m, 6.6ft)K2.75007.0

Connects the power input of AMIRA or ALEXA Mini to a battery power output with an XLR 3 pin connector.

Euro 160,00(zzgl. MwSt./ex VAT)

Amira Power Cable coiledK2.0001275

Connects the power input of AMIRA or ALEXA Mini to a battery power output with an XLR 3 pin connector.

Euro 220,00(zzgl. MwSt./ex VAT

ARRI Power Supply Light 24V K2.0034493

Indoor power supply with ARRI camera power connector.
Max. power ~ 280W, 24V, 11.7A.
Compatible with all digital cameras from ARRI

AMIRA, ALEXA or ALEXA Mini power cables are not included and need to be ordered separately.

An AC power cable for a Schuko socket is included. For other AC socket standards, the cable needs

to be taken care of locally.

Euro 230,00(zzgl. MwSt./ex VAT)


AMIRA Raincover K2.0004025

proven camRade raincover to protect AMIRA against heavy rain and more

Euro 300,00(zzgl. MwSt./ex VAT)

AMIRA Handgrip set right KK.0005710

Extremely durable articulating right handgrip and extension for hand holding AMIRA. Attaches
to ARRI rosettes at the camera or through UBS-2 and LBS-2 directly. Triggers run functionality on cameras fitted with 3-pin RS run signals.

Euro 1.170,00(zzgl. MwSt./ex VAT)

Amira Viewfinder MVF-1 K2.75004.0

The Viewfinder is included in the AMIRA K0 camera packages and does not need to be ordered seperately when ordering a K0 package

Euro 7.210,00(zzgl. MwSt./ex VAT)

AMIRA Viewfinder Adapter VFA-2K2.0001222

An adapter with an ARRI viewfinder dovetail on one side and one 3/8" and one 1/4" mounting point on the other side. This adapter can be used to mount the AMIRA or ALEXA viewfinders to ARRI Universal Mounting Arms (UMA) or Noga arms.

Euro 43,00(zzgl. MwSt./ex VAT)

Viewfinder Attachment Bracket VAB-1K2.0001297

An attachment that allows the AMIRA viewfinder to be mounted to two 15 mm lightweight rods above the lens, as can be found on the Universal Adapter Plate UAP-2 (K2.0001221). This bracket is already included in the Universal Adapter Plate UAP-2 Set (K0.0001280).

Euro 270,00(zzgl. MwSt./ex VAT)

Universal Adapter Plate UAP-2 SetK0.0001280


K2.0001221 1x Universal Adapter Plate UAP-2

K2.72007.0 1x Center Camera Handle (CCH-1)

K2.0001297 1x Viewfinder Attachment Bracket VAB-1

Euro 1.120,00(zzgl. MwSt./ex VAT)

Viewfinder Extension Bracket VEB-3 K2.74000.0

Sturdy telescoping bracket that positions the electronic viewfinder for ALEXA (EVF-1) or AMIRA (MVF-1) at the back of the camera (i.e. for use with geared heads). Includes swing-out arm to rest viewfinder on camera during set up changes. Requires medium (recommended) or long viewfinder cable.

Euro 510,00(zzgl. MwSt./ex VAT)

Wedge Plate Adapter WPA-1 K2.75000.0

ENG style camera base mount with highly ergonomic shoulder pad and wedge plate adapter.

Euro 830,00(zzgl. MwSt./ex VAT)

Bridge Plate Adapter BPA-3 K2.75006.0

A camera base mount compatible to accessories like BP-8/BP-9 for 19/15mm rods etc.

Euro 790,00(zzgl. MwSt./ex VAT)

Bridge Plate BP-8 K2.0031436

The BP-8 helps to optimize camera rig balance when combined with the range of
ARRI bottom plates. It brings compatibility with studio 19 mm rod systems to an
increasing number of ARRI and third party cameras.

Euro 740,00(zzgl. MwSt./ex VAT)

Bridge Plate BP-9 K2.0031435

The BP-9 helps optimize camera rig balance when combined with the range of ARRI
bottom plates. It brings compatibility with studio 15 mm rod systems to an
increasing number of ARRI and third party cameras.

Euro 750,00(zzgl. MwSt./ex VAT)

Universal Adapter Plate UAP-2 K2.0001221

Universal Adapter Plate UAP-2 with 15mm rod mounting receptacles. Attachable to the dove tail on top and bottom of AMIRA.

Can be used for regular or low mode Steadicam use.

Euro 570,00(zzgl. MwSt./ex VAT)

Quick Release Plate QRP-1 K2.0000399

VCT-style broadcast plate compatible with the ARRI AMIRA camera, some ARRI PCA support systems as well as many industry standard documentary cameras.

Euro 720,00(zzgl. MwSt./ex VAT)

Shoulder Belt Adapters SBA-1 K2.0001223

Shoulder belt offers the compatible with standard ENG shoulder belts.

Euro 48,00(zzgl. MwSt./ex VAT)

AMIRA Onboard Microphone Set K2.0004024

AMIRA Onboard Microphone set: TinyMike set is a small and light solution from Ambient including microphone, suspension, foam windshield, XLR cable and windgag. It suits perfectly as onboard microphone. The AMIRA microphone holder MHB-2 (K2.75005.0), providing the perfect connection to the camera, needs to be ordered seperately.

Euro 550,00(zzgl. MwSt./ex VAT)

Microphone Holder Bracket MHB-2K2.75005.0

Bracket to attach a on-camera microphone to the camera handle. Includes 3/8' and 1/4' knurled fasteners.

Euro 100,00(zzgl. MwSt./ex VAT)

AMIRA Camera BagK2.0001240

ARRI AMIRA branded soft carry bag. For AMIRA camera with MVF-1, camera adapter and zoom lens.

Euro 360,00(zzgl. MwSt./ex VAT)

AMIRA Camera CaseK2.0001239

AMIRA camera case (Peli 1510 carry on case, cabin size, foam fitted for AMIRA & MVF, ARRI AMIRA branded)

Euro 490,00(zzgl. MwSt./ex VAT)

Accessories/Camera Case K2.0001241

ARRI branded Peli 1510 Carry On case for accessories, cabin size with flexible dividers.

Euro 380,00(zzgl. MwSt./ex VAT)

Unser Angebot richtet sich an gewerbliche Kunden, Selbständige und Freiberufler. Alle Preise sind Nettopreise, zzgl. der bei Rechnungsstellung geltende gesetzliche Mehrwertsteuersatz. Alle Angaben und Preise sind freibleibend und können ohne vorherige Ankündigung geändert, entfernt oder ergänzt werden.

Our services are exclusively offered to commercial customers and not to private individuals. All prices are net prices plus value-added tax. All specifications and prices are subject to change without prior notification. Errors and changes excepted.


How much does an Arri Amira cost? ›

The most basic version of the Amira camera body with a viewfinder will be $40,000. This features Rec709 ProRes 422 HD recording up to 100fps. Above that, the middle level configuration will include LogC, ProRes 422 HQ to 200fps, in-camera grading, and a few more extra features.

Does Arri Amira shoot 4K? ›

The ARRI AMIRA Premium Camera Set is the most feature-packed version of this camera, including licenses for UHD 4K and 2K recording, and including the ARRI Look Library license. The AMIRA family provides optimal image quality in a ready-to-shoot form factor designed for extended handheld use.

What cards does Arri Amira take? ›

CFast 2.0 cards are small and cost efficient recording media for recording in the ALEXA Mini or the AMIRA. The cards made their debut when SanDisk introduced their Extreme Pro CFast 2.0 cards together with the ARRI AMIRA. CFast 2.0 cards can be used for Apple ProRes and ARRIRAW recording.

Why is ARRI better than red? ›

ARRI Camera's have the reputation of providing the best image in the business, this is because it doesn't take a lot of tweaking to provide an incredible image. RED's Reputation is that it provides a digital, less filmic look.

Is the Arri Amira Netflix approved? ›

Netflix has just approved the ARRI ALEXA 35, which is the first ARRI Super 35 sensor camera that is being approved to shoot Netflix 4K Original. The ALEXA 35 is the 4th camera to join this prestigious list, together with the ALEXA 65, LF, and Mini LF.

Is red better than ARRI? ›

With the Arri, it would be really heavy to use as a run-and-gun camera. But while the RED is much more versatile, the Arri is a lot more reliable. RED cameras have a reputation for suddenly shutting off and not working. Arri cameras never have any issues.

Why does Arri Alexa look so good? ›

This is because cinematographers generally prefer Arri's color science better, the flat Alexa image has a sort of built in LUT (Look up table) which gives it a 'filmic' quality which RED cannot quite match up to. They shoot with the Alexa because it looks more like film than the RED.

Why is ARRI so good? ›

Convenient Form Factor. ARRI has created a very good design that is optimized for professional filmmaking. The controls are all laid out clearly on the side for operators and large sets. The modern designs are based on decades of working directly with filmmakers and what their needs are for production.

Does Arri Amira shoot raw? ›

The AMIRA's ARRIRAW recording is done in the same way as in the ALEXA MINI. The clips do not require specially formatted CFast 2.0 cards, so MXF/ARRIRAW and QuickTime/ProRes clips can be mixed on the same card. ARRIRAW Converter supports AMIRA MXF/ARRIRAW files from version 3.5.

Can ARRI Amira shoot 4 3? ›

Even though it is a 4:3 sensor in principle, the sensors used by AMIRA are not qualified for 4:3 mode.

Does Arri Alexa shoot raw? ›

ALEXA Classic cameras (with the SxS module) cannot record ARRIRAW internally, but use a special protocol called T-Link to output ARRIRAW via HD-SDI. ARRIRAW T-Link output requires an onboard recorder that was certified for ALEXA ARRIRAW (T-Link) recording: Codex Digital Onboard M and S. S.

What movies use Arri Alexa? ›

Notable Oscar-winning films captured with ALEXA include “Hugo” in 2011, “Life of Pi” in 2012, “Gravity” in 2013, “Birdman” in 2014, “The Revenant” and “Spotlight” in 2015, “Moonlight” in 2016, “The Shape of Water” and “Blade Runner 2049” in 2017, “Green Book” and “Roma” in 2018, and “Parasite” and “1917” in 2019.

Why movies are shot on ARRI? ›

Overall I'd say these four factors: Arri's historical legacy in the film industry, the compatibility and ease of use of their products, the all important look, and their reputation for reliability, are what has made them the default choice for most cinematographers working today.

What cameras do professional filmmakers use? ›

Best cinema cameras in 2022
  • Sony FX6. The Sony FX6 certainly gives you bang for your buck and it's packed full of sought-after features. ...
  • Canon EOS C300 Mark III. ...
  • Blackmagic Ursa Mini Pro 12K. ...
  • Blackmagic Design URSA Mini Pro G2. ...
  • DJI Ronin 4D 6K. ...
  • Z CAM E2 Professional 4K Cinema Camera. ...
  • Panasonic Lumix BS1H. ...
  • Panasonic AU-EVA1 5.7K.
14 Oct 2022

How many hours does an ARRI Alexa last? ›

The camera has 4000 hours of sensor hours.

What camera do Netflix use? ›


You also get an extremely high resolution 8K Vista Vision sensor, which is 40.96×21.60mm. Netflix prefers that you use the following settings when using this camera: 8K (8192×4320) in REDCODE RAW (up to 8:1). This camera has also been approved for anamorphic capture.

What camera is stranger things filmed on? ›

In season 3, Ives added RED's DSMC2 8K VV camera with a Monstro sensor to his arsenal. The large format technology allowed Ives and the Duffer Brothers to stretch their creative lens.

What camera does Netflix require? ›

The camera must have a true 4K UHD sensor (equal to or greater than 3840 photosites wide).

Why is red camera so special? ›

A RED camera shoots RAW footage files, which are file formats for uncompressed images that are large in size with lossless quality. This file format stores the fullest details of images so that they can be edited to your taste and preference.

Who owns ARRI? ›

Who makes lenses for ARRI? ›

There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS, and are sold exclusively by ARRI.

Is ARRI the best cinema camera? ›

The ARRI Alexa LF is one of the crown jewels of the filmmaking world and has been used on films and shows like Dune, Ford v Ferrari, Stranger Things, The Mandalorian, and The Righteous Gemstones. The entire Alexa line is some of the best (and most expensive) cinema cameras you can get.

Is Super 35 better than full frame? ›

The full-frame format has a more shallow depth of field than the Super 35, which creates a nice bokeh. This gives the cinematographer more control over what and who they want to put focus on. The camera also allows the cinematographer to get closer to subjects without sacrificing the background.

Is ARRI Amira Super 35? ›

For over a decade the ARRI ALEXA camera family has set the gold standard for digital cinematography. Now, ALEXA 35 raises the bar even higher with a new Super 35 format 4.6K sensor and REVEAL Color Science.

How much does ARRI cost? ›

The ARRI ALEXA 35 is available in three packages: ALEXA 35 Production Set: $77,940. ALEXA 35 Lightweight Set: $75,100. ALEXA 35 Body & LPL Mount: $64,880.

How much is it to rent an ARRI? ›

Pricing Chart
Rental PeriodLenscap+Price Per Day (Approx.)
3 days$361.00$655.33

What is the smallest ARRI camera? ›


How heavy is the Arri Amira? ›

Tests were made on an ARRI Amira camera, with ARRI/Zeiss prime lenses. The camera is unconventional, in television terms. Its controls and layout do not follow the familiar form for stand-alone cameras. It weighs about 4.1kg without lens.

Does ARRI have image stabilization? ›

Whether with commercial work or on feature films, ARRI's camera system stabilizers provide rock-steady images with ultimate flexibility, regardless of terrain. We would like to thank all the film crews who put their trust in our products and chose ARRI for their productions.

Does Amira have internal ND? ›

You'll be happy to learn that ND filters (0.6, 1.2, 2.1) are embedded in the camera. Also, the camera's multi-channel audio includes accessible buttons.

Is Micro Four Thirds good for filmmaking? ›

More than a decade after their release, Micro Four Thirds cameras are still a perfect tool for filmmakers and photographers who look for quality, portability and versatility in their kit.

Is APSC better than Micro Four Thirds? ›

Benefits of APS-C

Because the sensor area of APS-C is 1.6 times the area of the micro four thirds sensor, it provides 1.6 times more total light gathering capability, or about 0.7 stops. Therefore, in many cases, APS-C will provide a bit of a performance advantage over micro four thirds.

What is the difference between Four Thirds and Micro Four Thirds? ›

A Micro Four Thirds camera runs very similar to a standard Four Thirds, however it is even more compact. This is due to a smaller sensor and smaller lenses. Most of the Four Thirds lenses will fit a micro Four Thirds camera body, however it may require some adapters.

Should I shoot in fine or RAW? ›

As you might expect, the tradeoff for these detailed files is that RAW files are quite a bit larger than JPEG files. Still, most professional photographers shoot in RAW because it gives them more information to work with in the post-processing phase.

Should I shoot in RAW fine? ›

Go RAW for Detailed, Stylized Shots

The RAW format is ideal if you are shooting with the intent of editing the images later. Shots where you are trying to capture a lot of detail or color, and images where you want to tweak light and shadow, should be shot in RAW.

Can Alexa mini shoot open gate? ›

The ALEXA LF can shoot in LF Open Gate ARRIRAW up to 90 fps, and in LF 2.39:1 4.5K at 150 fps; that is more than twice the maximum frame rate of the ALEXA Mini LF.

Is ARRI Amira a film camera? ›

ARRI Amira Summary

The Amira is a “documentary-style” shoulder-mounted camera built around the same sensor as the Alexa and designed for single-operator use.

How much does it cost to buy an Arri Alexa? ›

The price of an ALEXA 35 set circulates around $75,000. This makes it the most expensive digital Super 35 camera on the market.

Is Arri Alexa full frame? ›

This sensor mode is covered by full frame lenses, the ARRI Master Macro 100 and by some Super 35 lenses with expanders. The maximum frame rate is 90 fps.

Why are films still 24fps? ›

In the silent film era, filmmakers shot movies between 16 and 20fps, which was why the motion appeared fast and jerky. Today, filmmakers typically shoot video at a minimum of 24fps because this is believed to be the lowest frame rate required to make motion appear natural to the human eye.

Why do cinemas use 24fps? ›

The main choice of 24fps was a budgetary and technology limitation issue that allowed for film companies to save money on film by shooting 24 frames vs 30 frames. The more the 24 frame rate was used in bigger budget cinema films, the more we would associate that frame rate with being more 'cinematic'.

Is shooting on film better than digital? ›

With a higher dynamic range, film is better at capturing white's and blacks' details and can't be replicated with digital cameras. Also, film can capture subtle details lost in digital photography. Film is more forgiving of minor focusing issues and exposure problems.

Which camera is best for cinematography? ›

Best Camera For Filmmaking

The Sony α7 IV significantly steps up the video capability of its predecessor, the Sony α7 III, making it one of the best hybrid enthusiast cameras on the market.

What camera does Quentin Tarantino use? ›

While the world has shifted into shooting films in digital format, Tarantino loves to shoot his movies in films and primarily uses the 35mm anamorphic format. Since the beginning of his career, he had spent most of his low budget on Panavision cameras and equipment.

What is the best camera for filming movies? ›

Which are the Best Cameras for Making Movies?
  • Fujifilm X-T4: (Best cameras for making movies)
  • Panasonic GH5s: (best camera for filming movies)
  • Sony Alpha a6400: (best cinematic camera under 1000)
  • Sony Alpha 7 III: (best budget mirrorless camera for filmmaking)
  • Panasonic LUMIX GH5: (best low budget cinematic camera)
11 Apr 2022

Can ARRI shoot 4K? ›

ALEXA SXT cameras can record ProRes in HD, 2K Cine, 3.2K, 4K UHD or 4K Cine and also in the anamorphic sensor mode 6:5 in 2K and 4K.

Is Arri Alexa waterproof? ›

It is made of water-resistant fabric with a soft lining and minimalizes unwanted sound effects during operation.

Does Arri Alexa have rolling shutter? ›

Not surprisingly, the ARRI ALEXA Classic and Mini LF show the best lab test results ever measured by us in all disciplines: rolling shutter, dynamic range and exposure latitude.

How much is an Amira live? ›

The ARRI AMIRA Live Camera Set costs $31,180.00 USD.

How much does it cost to buy an ARRI Alexa? ›

The price of an ALEXA 35 set circulates around $75,000. This makes it the most expensive digital Super 35 camera on the market.

How much does an ARRI Alexa classic cost? ›

The ALEXA Classic kit is offered for just $6,100 on Adorama. It includes a High-speed License Installed (can reach 120 fps recording ProRes). The camera accumulated 5903 hours of operation, which sounds quite a lot, but for ALEXA cameras is not an indication of sensor fatigue.

How much does Amira learning cost? ›

How much does the app cost? It's free to use the Amira and the StoryCraft app for 30 days. No credit card required. After your free trial, you'll have the option to subscribe monthly at $7.99 or save 25% with an annual subscription of $72.

When did the Arri Amira come out? ›

AMIRA, 5/2014

Featuring an ergonomic design optimized for single operator use, AMIRA takes its cues from ARRI's heritage making 16 mm film cameras: ease of use, speed of setup, balance, comfort, and responsiveness.

Does Arri Amira have internal ND? ›

The internal ND filters in the ALEXA Mini and the AMIRA cameras are highly respected in the industry for their colour neutral properties.

What camera does Hollywood use? ›

Arri Alexa cameras are the most famous cameras that are used by Hollywood professionals. The resolution of this camera is 6.5K meaning that they come at 3100 x 6560 pixels. Besides that it also allows you to record at 5K and 4K.

Why Arri Alexa is so popular? ›

This is due to two factors: the camera's sensor and its image processing ability. The Alev CMOS Bayer sensor that is found in the Alexa has a high number of photosites that balances image sharpness with a high dynamic range and low noise.

What camera does Christopher Nolan use? ›

Christopher Nolan filming “Tenet” using IMAX film cameras. Filmmakers looking to shoot their movies in IMAX are about to have a lot more options. Today, IMAX announced that it has begun developing its next generation of film cameras, with plans to release the first of four new cameras in late 2023.

Is Arri Alexa classic worth it? ›

It has a great imager, it has great color science as well. The biggest problem is actually the fact the cameras only write 1080p internally to Pro Res. The only way to get the full 2.8k is to record in Arri Raw, which has much larger file sizes than modern compressed raw formats.

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